Famous Australian Entrepreneur
and Wallpaper Designer -
Florence Maud Broadhurst (28 July 1899–
15 October 1977)
(Source: A.Clore Interiors: Florence Broadhurst meets
Kate Spade)
"It’s an accomplishment in
itself to impact your time & generation, but to have enduring popularity and
style, which exceeds trends and decades, is an incredible feat. Imagine if
the work you created today shaped the industry you work in 50 years from
now. Such a remarkable achievement can be claimed by the influential
Queensland born designer, Florence Broadhurst, best known for her
recognisable wallpaper designs."
Florence shook the Australian
design industry in more ways then one. After Declaring “Australia to be
afraid of colour” she set out to revolutionise the conservative design
industry of her time. With notorious ambition, Florence launched her
handprint wallpaper studio in Sydney, going on to produce over 500
top-selling wallpaper designs."
(Source: Hunter Design School)
From the mid 19th century,
wallpapers used in Australia had predominantly been imported from Britain,
but also from France, Canada and America. In 1959, Florence Broadhurst
decided to buck the trend. Turning 60, she established Australian
(Hand-Printed) Wallpapers (renamed Florence Broadhurst Wallpapers in 1969).
It is this, her final design and production venture, as well as her
reputation as a colourful Sydney personality with an A-list of prestigious
clients, and her still-unresolved murder in 1977, for which Broadhurst is
best remembered today.
(Source:
Museum of Applied Arts and Sciences)
Some of Florence's
wallpaper designs - which one do you like the most?
Introduction
Born into a farming family in
outback Australia in 1899, by her mid-twenties she was a singer and
dancer in Shanghai, setting up her own performing arts academy. By the
1930s, she ran a fashion
boutique in London’s Mayfair under the name Madame Pellier, before sweeping
into Sydney societywith a whole new persona – as
a painter and charity queen, with a husband (her second) and a son.
But it was in her last incarnation that she
really made her mark, shaking up conservative Australia withher bold, exotic wallpapers.
Now, more than 100 years after her birth, her
work has been rediscovered by the world’s leading fashion,interior and homeware designers and her prints are in huge demand
internationally.(Source:
Study Guide on Unfolding Florence)
Her Life
Florence Broadhurst was born in the
rural area of Mount Perry, South East Queensland in the year 1899 (Source:
Woollahra Municipal Council).
Florence was the fourth child of William and Margaret Broadhurst
(Source:
Australian Dictionary of Biography).
At an early age Florence began singing and dancing and in 1915 at the age of
16 she won a singing competition and began “performing in various towns and
cities in Queensland” (Source:
Signature
Prints).
In the early 1920’s Florence moved away from Australia and joined a musical
comedy group called the ‘Globe Trotters’ and toured India, South East Asia
and China. In 1926 Florence started a School of
Art in Shanghai China, at this school Florence taught people how to play
musical instruments, sing, dance (both contemporary and classical) and learn
how to be a journalist (Source:
Australian Dictionary of Biography).
Two years later
(1929) Florence married an English stockbroker, however their
marriage didn’t last and after separating, she became involved with a diesel
engineer who became the father of her son.
(Source:
Mater Home Prize)
In 1933, Florence moved to London
England where she opened up a dress shop and renamed herself ‘Madame
Pellier’. When World War 2 broke out in 1939 Florence joined the “Australian
Women’s Voluntary Services, which offered hospitality to Australian
soldiers” (Source:
Australian Dictionary of Biography).
In 1949 Florence moved back to Australia to live in Sydney with her second
husband Leonard Lewis and their son Robert, by this time Florence had
changed her name to Mrs Florence Lewis (Source:
Australian Dictionary of Biography). On her arrival
Florence began to hone her skills in the art of painting, which saw her
travel to central and northern Australia where she used the natural scenery
as an inspiration for her one hundred plus landscape paintings. These
paintings were later exhibited at art exhibitions in Sydney, Brisbane and
Canberra (Source:
Woollahra Municipal Council).
Florence’s love of painting and art saw her later become one of the
“foundation members of the Art Gallery of NSW and a member of the Interior
Designers of Australia” (Source:
Woollahra Municipal Council)
In 1959, at the age of 60 Florence established a wallpaper business that
employed herself and a small team of artists that produced “a wide range of
high quality, luxurious wallpapers” (Source:
Woollahra Municipal Council).
Often these wallpapers included “oversized patterns, vivid colour
combinations, brightly coloured peacocks and bold geometrical designs.”
(Source:
Australian Dictionary of Biography). Florence also
made innovations with her wallpapers such as “printing on metallic surfaces,
developing washable vinyl coated wallpaper and creating a special drying
rack system that allowed her wallpapers to be produced in large quantities.”
Soon Florence and her Wallpaper designs were being exported around the world
to places such as “North America, England, Hawaii, Kuwait, Peru, Norway and
Paris.” (Source:
Australian Dictionary of Biography).
In 1962 her second marriage
dissolved when he left her for a woman much younger than their own son.(Source:
Mater Home Prize)
Also during this time in the 1950’s,
60’s and early 1970’s Florence became involved in many charities and fund
raising events such as “designing the festoon decorations for the 1964 Die
Fledermaus Opera House Ball, and acting as vice-president and honorary
organiser for the United Nations Association of Australia international ball
committee in 1966. And in the 1970’s she was connected with the Royal Art
Society, the Sydney Opera House appeal and the Australian Red Cross Society”
(Source:
Australian Dictionary of Biography).
Did You Know?
Florence’s life has been captured by Gillian Armstrong
and transferred to film.
The 2006 Australian documentary includes interviews with friends,
family members and employees who knew Florence Broadhurst before her
mysterious death in 1977. The film had a mixed critical response and
was nominated for 4 awards despite being relatively obscure.
(Source: Wikipedia)
Florence Broadhurst lived an amazing life. From her humble
beginnings on a Queensland farm, through to her metamorphosis into a
cabaret performer, Shanghai dance teacher and design pioneer. Not
content with reality, she reinvented her past and embraced a
colourful and flamboyant lifestyle. Acclaimed director Gillian
Armstrong reveals the many lives of this glamorous, complicated and
unconventional woman whose legacy continues to live on through her
spectacular prints. (Source:
iTunes Review)
Sadly in 1977 Florence was found
murdered in her wallpaper work place in Sydney, and although police
investigations were carried out, Florence’s killer has remained unidentified
to this day.
Sad as it is to lose a person such as Florence, her memory and
work live on through designated commemorative spaces at the Sydney
Powerhouse Museum, and through ‘Signature Prints’ a small Sydney based
Wallpaper business that bought the rights to Florence’s designs and work,
and uses her wallpaper again in all corners of the world.
Given that this film covers more than seventy years and includes a great
deal of information as it unfolds Florence’s many lives and times, teachers
may choose to select one of the four sets of questions that follow,
depending on the students’ level and particular interests and/or area of
study.
For SOSE (HSIE) students, the picture presented of a
woman’s life spanning the first seventy-eight years of the 20th century in
Australia and elsewhere, Living in the Seventies, the first set of
questions, may be the focus.
Media Studies teachers and students may find the second set
of questions, Unfolding Florence, most interesting, as they deal with the
structure and style of the film as an example of documentary biography.
Students of Art and Design may choose to look more closely
at the second part of the film, when Florence is developing her wallpaper
business and respond to the Colour and Design questions.
English students may prefer to look at how Gillian
Armstrong creates this complex and not always complimentary picture of a
woman who chose to live in her own way at a time whenthis was not always easy or admired. The I am Florence questions will best
suit this approach.
Both the list of characters and the sets of quotes (following these
activities), from both Florence and the people interviewed, are there to
assist students in appreciating the film and responding to the questions.
Student Activities
1. Living in the Seventies (and before) - 14 questions to answer after
reading information about Florence.
2. Unfolding Florence but not wrapping her up. 11
questions based on the film.
3. Colour & Design. 12 questions
about her designs.
4. 'I am Florence.... or Bobby or Madame Pellier or...?
12 questions about Florence herself.
5. The things people say... about Florence. What was her
personality?
6. 5. Essay questions about the film. Note: The Office of Film and Literature Classification
has classified the film PG (parental guidance recommended), with the
consumer advice: infrequent mild coarse language, mild themes.
Create
accessories that make use of Florence's designs (contributed by Melanie Sheehan, ACU
Education student)
Primary
Middle Secondary
Australian
Curriculum General Capability: ICT Capability
Australian
Curriculum General Capability: Critical & Creative Thinking
1. Florence's
designs have had a resurgence with young designers using her designs in
various ways. Florence’s wallpapers have been “reinterpreted as fabric
prints by Akira Isogawa, Nicole Zimmerman and other leading Fashion
designers.
‘Waterfall Gardens’ coat, ‘Alfalfa’ tunic dress
and ‘Alfalfa’ leggings, designed and made by Akira Isogawa, Sydney,
2007, MAAS collection, 2007/95/1
In the spirit
of Florence Broadhurst, you are to draw and create a design. Make it simple
in your lines, bold and colourful.
Draw a simple picture that you would like
to use as a stencil onto either thick paper or plastic. Just make sure that
the design you create has lines that connect as this makes the design easier
to cut and then print.
o NOTE: If you don’t want to draw your own picture, you can use an image
from the internet, or a design pattern such as a Florence Broadhurst
wallpaper design.
2. Cut paper and create a template:
Once you have created your picture or design, cut it out with scissors or a
craft scalpel so you have the outline of the picture available to use as a
stencil.
3. Stenciling the template:
Place the cut-out template onto a new piece of paper and paint over the
template using either the bristles of a paintbrush or a special craft
sponge.
4. Share your design and stencil
with a partner.
5. What sort of material or
object would you like to see with your design on it?
Resources
The following websites and videos contain a step by step account
of how to select a picture off the internet and then turn it into a stencil.
Google
Doodle Design (contributed by Ella Barry, ACU Education
Student)
Primary
Middle Secondary
Australian
Curriculum General Capability: Critical & Creative Thinking
1. Florence was born on the 28th of
July 1899. You are to create a google doodle for the website which can be
displayed on the 28th of July each year to celebrate Florence’s birthday.
How can you educate Australians about
Florence with your Google Doodle?
2. To get some ideas look at the
following Google Doodles:
Norway National Day
Australian Elections 2013
Australian Poet Dorothea MacKellar's 126 Birthday
Albert Namatjira's 115 Birthday
3. Make sure the google banner
encapsulates Florence’s design flair!
3. Can you make your design into
animated gif like the Halloween example?
Go to the following site to make
your doodle special using
Scratch: